In April 2017, Trinity Laban Conservatoire of Music and Dance hosted a performance by The University of California Santa Barbara (UCSB) Dance Company. The programme included works by renowned choreographers Jose Limon, Anna Halprin, Andrea Miller, Stephanie Gilliland and Trinity Laban MFA Choreography student Gianna Burright. Gianna is a UCSB alumnus and was the key individual in facilitating this visit. There was also a roundtable discussion about the work of Anna Halprin and Limon repertory masterclasses.
In November 2016 Gianna returned home to California for an eight-day residency with the current UCSB company members. This was extremely special for Gianna as she was previously a member of the company, graduating with a BFA in Dance, in 2015. Gianna was able to use her practice in body-to-body transfer and evolving MFA research which she has developed during her time at Trinity Laban with the dancers from UCSB.
The UCSB Dance Company’s evening show closed with Anna Halprin’s The Paper Dance from Parades and Changes (1965), directed by California native and Trinity Laban alumnus Brooke Smiley. Brooke graduated from Trinity Laban in 2008 after completing an MA in Dance Performance (Transitions Dance Company). After graduating, Brooke danced with Michael Clark Company, Ventura Dance Company and Fabulous Beast Dance Theatre. Her choreographic works have been shown both in the UK and USA. Brooke also holds a California Contractors License and has trained in super adobe earth architecture. We caught up with Brooke and Gianna to find out more about their comparable journeys.
Brooke: “I was in Europe auditioning and my mentor brought me to Trinity Laban. I took a ballet class with Transitions and they asked me to consider joining. Being from California, Transitions was the first time I was around a lot of people from different countries. I loved learning that there are as many different ways to do something as there are people. The friendships formed this base of community and meaning for me in dance. Working with David Waring (Artistic Director, Transitions Dance Company) was amazing as it allowed me to be with my own research and thoughts. Dr Martin Hargreaves was a mentor for me too and meeting these dance researchers who had a plethora of experience was wonderful to ground into.
Gianna and I met through Mira Kinglsey, a previous Professor of Dance at UCSB. She invited me to teach a workshop to the seniors at UCSB, and the next year they asked me to teach improvisation. She put me into contact with Gianna and through this series of random circumstances has come magic.”
It was interesting to find out more about how Brooke & Gianna connect between the UK & US:
Brooke: “I feel like we’re redefining what’s possible together rather than being separate. With the National Endowment of the Arts potentially being absolved through Trump, everybody’s scratching for that funding which makes things very competitive. There’s more funding in Europe which is why I worked here. Saying that, New York has really shifted and changed from 10 years ago when I graduated. In this new constriction of times and thrashing of systems we can find a way for institutions to have the heart to find one and other.”
Trinity Laban has recently forged a number of international partnerships, resulting in major exchange projects with the likes of the Korean National University of the Arts, the National Taiwan University of Arts, Beijing Dance Academy and the Hong Kong Academy of the Performing Arts. Trinity Laban’s “Brexchange” featured visiting students from the Netherlands, Italy, Austria and Sweden, and Trinity Laban also recently became the first UK conservatoire to partner with the Fulbright Commission, offering the new Fulbright-Trinity Laban Award in Music and Dance.
Brooke: “Gianna has made this connection between Trinity Laban and UCSB and I’m very excited about how we are beginning to come together. When it comes from the heart of a person it’s real but I don’t think there’s necessarily a drive to connect on a bigger scale, but on the local micro scale there is. We’re finding our own way. Water works like that – a little drop, a little trickle, and it begins to carve out the rocks over time. I feel like that’s what Gianna has done. It’s powerful.”
Gianna: “It’s so great to see connections being made between institutions internationally and is something which needs to continue to happen.”
Gianna’s piece for the UCSB dancers, Anywhere I Can See the Moon, is deeply relevant to this discussion. The work investigates the common thought and concern of “home”.
Gianna: “I’ve come to realise home isn’t what we think home is anymore, you can find homes in many different ways. It’s interesting to notice how that shifts and how temporary the word really is. I’ve always wanted to live internationally and have an international career so coming to Trinity Laban seemed like a good starting point. It’s a really great place that allows you to apply many different approaches to whatever you’re looking at, and supports you to be creative in the development of your research.”
Image: Anywhere I Can See The Moon taken by Steven Sherill
Upon graduation from UCSB, Gianna was awarded the Tonia Shimin Award for Excellence and Promise in the Field of Dance and The Corwin Award for Choreography. Gianna is a proud recipient of the Trinity Laban Postgraduate Dance Award 2015-2017, a Leverhulme 2016-2017 Scholar and the 2016 recipient of the Lesley-Anne Sayers Research Award.
Gianna: “Receiving the Lesley-Anna Sayers Research Award has been a highlight of my time at Trinity Laban. I was able to take myself and 3 dancers to Amsterdam to work with choreographer, performer and movement researcher Ria Higler. That week was completely life changing for me and has shifted the way I work, the way I see the body and the way I live in my own body. I’m so grateful for that opportunity.”
Graduate Intern – Press & PR