Rosie Kay on conspiracy theory and the Illuminati

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Image: MK ULTRA by Brian Slater

Rosie Kay’s latest work MK Ultra comes to the Laban theatre on 20 April 2017.

Explaining my new work, MK Ultra to people has become a lot easier in recent weeks. Even six months ago, mentioning my work looking at conspiracy theory would have drawn a snort from many over the age of 25. But it is different now- ‘Fake News’ and ‘Alternative Facts’ have become the news and the fragile balance of trust between truth, the news, our leaders and the media has been fractured. The lid has been lifted, and widespread belief and knowledge of conspiracy theory is now being looked at seriously- something I’ve been advocating for several years as I researched and watched the gulf between the mainstream, the alternative and how young people were navigating their way in this confused world of distrust. Most of us have been in a state of stasis, but young people have known and felt the disintegration of belief in our leaders and the stories they tell us.

Researching conspiracy theory since 2012, I came across the theory of the ‘Illuminati’, for those who don’t know, a supposed shadowy elite who control the media through messages in pop music, entertainment and intent on somehow ruling the world, spreading a ‘New World Order’ agenda of state control. Through my research I encountered a lot of conspiracy theory, I looked at false flag attacks, false news, alternative theories on almost every single mainstream news item, as well as theories on shadowy elites, occult sects, secret societies, modern witchcraft, assassinations and celebrity deaths.

The conspiracy theory is that the people who created and developed the brainwashing technique of MK Ultra teamed up with CIA and Disney to create automaton pop stars. MK Ultra was a CIA brainwashing programme that was carried out across Western Universities in an attempt to use experimental psychology to programme potential spies, soldiers and assassins. While it is historically agreed that MK Ultra did in fact take place, and many people were unwilling volunteers, there is no evidence that MK Ultra has continued past the early 1970’s. The theory is that it did continue, with the MK Ultra doctors and the CIA directors teaming up with Walt Disney to attempt to brainwash singing and acting children, and turn them into programmed stars who would perform as puppets spreading messages to alter public consciousness.

Potential stars were brainwashed through MK Ultra torture techniques and programmed to be perfect performing pop stars. This was carried out through the Disney club and took several attempts before they struck gold with their first mainstream star, Britney Spears.

But one of the downsides of the MK Ultra brainwashing, is that the programming starts to falter as the victim ages, with the individuals own personality fighting back and trying to break through their brainwashing. The stars would have some kind of episode, often with the media reporting planted stories of drink or drug addictions, before the star is put into some kind of ‘psychiatric unit’ where, the public would be told they were having rehabilitation, but in actual fact they would be being re-programmed. The stars, now re-progammed by their ‘handlers’ then return to their grueling touring and performance schedules, often looking a little bit dazed, but mostly compliant until the next ‘episode’.

This is supposed to have happened very famously to Britney, but also to Lady Gaga, Justin Bieber, Lindsay Lohan, and most recently to Kayne West.

So far, so bizarre.

While conspiracy theory can be seen as a joke- the preserve of the tin hat brigade, still obsessing about 9/11 and career suicide for academics, as I was told, I felt that this was a real phenomenon and one ripe for artistic exploration.

Hidden within pop music videos is a tick-list of illuminati symbols- symbols that tell the viewer if this artist is a puppet of the illuminati or not. These symbols include butterfly’s (linked to monarch programming, a term for a certain type of brainwashing), triangles (THE sign of the illuminati and a symbol of the power of the elite over the masses) one eye and eye of Horus (links to Egyptology and the all seeing eye), birdcages (trapped), asylums (the brainwashing torture chambers), broken glass (symbolizing the shattered psyche), checkered floors (linked to freemasonry) and occult and satanic signs. If you don’t believe me, try watching Keisha’s Die Young video with this all in mind, and you’ll soon see it.

But what this incredible world reveals is far more than just a crazy conspiracy theory that generally young people are aware of, and older people are not. This world holds up a mirror to where we are now. Do we all think we are stars now? Are we the stars in our own reality TV show, and each aspect of our lives defines our individuality? Each product we buy or activity we do shows how separate and special we are, but in fact we are not free, perhaps we have been sold a dream and we are living in a brainwashed state. We are living in our own bubble, we see our version of the truth, and live our lives surrounded by information that helps reinforce the bubble of reality we inhabit. And like our pop stars, our programming is starting to dysfunction, we are starting to see through our dream, and waking up from the sleepwalk that has taken us into the harsh reality of where we are now. As one young person put it succinctly; “we used to believe, we used to be told what was real by our leaders, but since recent events, we’ve been let down. Now we fend for ourselves’.

In this new world reality, it’s not just the New World Order we need to be afraid of, it’s our lack of leadership and the forces that fill this vacuum as we stumble along, half awake, half asleep. Or maybe we are just about to wake up, and realise that there is a new reality, just around the corner, or is it ‘over the rainbow’?

Read the full interview with Rosie Kay on the Dance Tabs website.

To book tickets and for more information visit our Events page.

Taylor Benjamin | Company Chameleon

Taylor Benjamin was a member of Transitions Dance Company, graduating in 2008. Since then he has toured works with 2Faced Dance Company, Kompany Malakhi, Balletboyz and DV8 Physical Theatre. Taylor now dances for Company Chameleon, with whom he will be performing in double bill Witness at the Laban Theatre on 16 and 17 March 2017.

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Image: Company Chameleon

Company Chameleon were nominated for Best Independent Company at the National Dance Awards last year, how does it feel to be part of such a respected company?

I feel very proud to be part of Company Chameleon. I have been dancing with them now for nearly two years and, although they are getting bigger both nationally and internationally, there is such a humble, family type energy with everyone in the company – from the office staff to the dancers and artistic directors. I have been lucky enough to be involved with two works that, though obviously both have the Company Chameleon style, are so different to each other. Doing diverse work but being able to stay with the same company is a luxury you don’t always get.

Kevin Edward Turner, co-Artistic Director of Company Chameleon, has drawn from his own personal experience of Bipolar for the creation of Witness. How does it feel to be performing a work surrounding such real issues?

Working on Witness, a piece bringing awareness to mental health, has been both challenging and eye opening. Kevin’s story is personal so as a performer you want to be as loyal to his experience as you can while also connecting to it in your own way, so you can deliver something true. Although myself and a lot of the audience may not have experience with these issues, we have all at some point experienced the emotions and battles with ourselves that are shown in the piece. This helps you to empathise with the situation and hopefully makes the performance easier to connect to. It is so hard to talk about mental health, and what we don’t always realise is that we all have a mental health. I think anything that opens up conversations on this topic is a good thing and art is a great way to do it. I admire Kevin for tackling these issues.

What can audiences look forward to when coming to see the double bill?

Audiences can look forward to seeing two pieces that are totally different to each other and to go on a journey that will make you think, laugh, cry and hopefully more than anything – get you talking.

What were the most valuable things you learnt from your time as a member of Transitions Dance Company?

For me Transitions was pretty vital. I trained at a dance/musical theatre school prior to Trinity Laban so my actual knowledge of contemporary dance and the different techniques was limited. Transitions gave me the opportunity to learn new styles, perform nationally and internationally while still training, and improve my general dance and teaching skills.

How does it feel to be performing back at your alma mater?

I’m really excited to be back on the Laban stage. It’s great to perform in such a dedicated, respected dance house of England. And I like the pretty colours of the building inside and out!

Words Unspoken Trailer

For more information and to book tickets visit the Trinity Laban website.

Alice White

Graduate Intern – Press & PR