Ahead of the world premier of the collaborative performance piece ‘Bad Faith’, we caught up with the work’s co-creator and Trinity Laban alumnus Tara D’Arquian.
Your works often explore identity, what can you tell us about your inspiration for creating Bad Faith?
Bad Faith is part of body of work which started with In Situ, part of Compass Commissions, Trinity Laban and Greenwich Dance Partnership. This is the epilogue of Quests which was the second piece of the trilogy and commissioned by Greenwich Dance.
The whole trilogy is an exploration of identity, the conflict of identity to be more accurate.
We, as human beings seem to be constantly striving to define our self while the self is indefinable. Bad Faith focuses on womanhood and conflicts of identity related to being a woman and the social pressures they are confronted to.
As a young woman, I’ve been exposed to the profound psychological and emotional suffering of older women in my life. The feeling of powerlessness which I experienced as a result led me to put it into movement. By doing so, my aim was first to make sense of these distressing states and attempt at creating value from it. Each piece is the result of a long and collective investigation.
Can you tell us about collaborating with poet Jemima Foxtrot during the creative process?
Collaborating with Jemima has been a great joy. Not only is she a brilliant poet, she is generous and authentic both as an artist and as a person.
It is empowering working with all these strong women, both in the creative team and the cast. I suppose it has also nourished me and my work.
All in all, this has been one of the most human and heart-warming creative process I’ve been part of.
What message would you like people to take from the work?
Hope. Always hope. This time it’s about freedom and courage. I’d like for Bad Faith to make people feel free to be what they want to be and to come to realize that the only limits in life are those of our own mind, which are self-delusions.
Your previous works (In Situ and Quests) have been site-sensitive/specific, can audience expect the same of Bad Faith?
No. Bad Faith is conceived for a more traditional stage environment. That being said, my previous site-sensitive explorations are certainly informing my process while making Bad Faith. Consequently, although it is a piece designed for a traditional stage, we encounter the space as site. Our protagonist is an actress.
Bad Faith | 14 & 15 MAR 19.30h | Laban Theatre
For more information and to book tickets, visit our what’s on page.