Different Pathways: Hannah Thomas

A series highlighting different ways in which people can join our BA (Hons) Contemporary Dance programme.

Here we speak to first-year Hannah Thomas about her journey from CAT to studying dance at Trinity Laban.

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Can you tell about your journey to studying at Trinity Laban/studying contemporary dance?

From an early age, I competed in multiple sports events, including football and athletics. Because of this, I already had that muscular foundation built into me. Taking dance as an option for GCSE was where it all really began. At the age of 14, I took part in a dance ‘taster session’, where I found a natural ability for movement. Following this, I began to spend a lot of my time training in a small studio in my Upper School. I then continued to gain an interest in choreography, taking part in One Dance UK’s ‘Young Creatives’ course as a choreographer in both 2014 and 2015. I discovered Trinity Laban’s CAT programme in 2015 when my upper school dance teacher pointed it out to me on the website. Not expecting to gain a place, I successfully auditioned and joined the CAT programme in 2015. From there, my passion for contemporary dance spiralled.

Why did you choose Trinity Laban?

For me, choosing Trinity Laban was not anything to do with the techniques on offer, or the facilities available. It was merely a gut feeling, a feeling that felt all warm and fuzzy. It was the perfect combination of familiarity and the desire to follow my curious instincts. It felt right.

What has your experience been of Trinity Laban so far?

So far, my experience of Trinity Laban has been messy… in the best sense possible! I’ve gained connections, friends and numerous experiences. I have learnt so much about the world of dance and even more about myself. I have discovered the importance of well-established technique, and the fun in improvisation; the excitement in new collaborations, and the thrill of performing with some of the most passionate people I’ve ever some across. Genuinely wouldn’t change a thing. If I’m honest, I have no idea where I will go upon completion of my training. I find that spontaneity is a good way to live. Trinity Laban has taught me to put absolutely everything into my daily practice, in order to open as many doors as possible in the future.

How do you feel your previous experience influences your current study?

Coming from a non-technical background, my dancing body was raised from the ground upwards. Much like young children learn to walk, we spent the time exploring efficient ways in and out of the floor. Whilst I felt like this initial training gave me a good idea of what it means to be grounded, I was never so confident performing more technically demanding phrases of movement. Trinity Laban taught me how to move confidently when standing upright. I am now able to find the verticality in my movements, without it seeming distant from what I am used to. I now embrace the versatility of movements, allowing me to be a much more adaptable and playful artist.

Do you have any advice for others who might be thinking of a change in study and what advice would you give to yourself looking back at your changing path?

My advice to anyone who wants to pursue a career in dance is to just ‘run with it’. When it comes to your passion, there’s no point worrying about what others will think or say. Coming from someone who was close to pursuing physics in order to please my teachers, I would suggest that being upfront with what you want is the only way to get what you want.

On a side note, when I say ‘run with it’, I really mean to RUN with it. Don’t waste a minute of the time you have. I wish someone had told me that from a younger age.

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